Meet the Choreographers-Joe, Rachel, and Maddy
Joe Svihel (Junior)
Can you share with our readers any
concepts, ideas, or images you are exploring in your piece?
I’m exploring
ideas related to parallel realities and alternate universes. The work follows
one woman through the lenses of 4 alternate paths of her life based on choices
she makes. I explore how simple tasks like getting dressed and putting on
make-up can be purposeful and ritualistic. The piece examines the impact
choices have on our lives-from every day decisions to alternative lifestyle
preferences.
What movement qualities are you working
with (style), and how does it support your ideas?
I am working in
the lyrical/contemporary style. For a lot of my movement I would try and shift
between direct accented movement and airy light movement. I hope this contrast conveys
a reality where the people inside are making distinct and clear shifts of
perspective. I used the idea of shifts in both the tempo of movement and by the
shift of directional facings. These differences in shifts support my idea of
existing on different planes of reality-the dancers exists in the same
continuum (space) but vary in time (location).
How has this creative process helped you
grow as an individual and an artist?
I found this
process to be challenging and yet enlightening at the same time. I was very
influenced by my music selections and have been very ambitious in my
exploration. It has been a challenge to trim away the unnecessary information
to get into the essence of the piece. As an individual, I have learned how to
communicate and articulate my thoughts in a more efficient way and improved my
collaborative skills. As an artist, I feel I have grown more certain of my creative
desires and movement truths-things that will help me in the design of future
works.
What do you hope the audience gains from
viewing your work?
I hope the
audience feels more connected to their inner selves and has an enjoyable
audiovisual experience. I find my work aesthetically pleasing and full of
exciting movement-I hope the audience is able to explore the movement and
connect with it on a personal level.
Can you share with our readers any
concepts, ideas, or images you are exploring in your piece?
I wanted to
explore the idea of relationships evolving through time. I want to show the contrast
between fast and slow movements between each dancer. I also explored the different
ways a group of five dancers could break off into different solos, duets, and
trios. Throughout the dance, each person experiences moments of solo work and
group work. My goal is to create a dance that is visually appealing and contains
moments that any audience member could connect with and love.
What experiences in your life inspire you
and how do you bring that inspiration into your creative process?
I drew my
inspiration from nature. During the summer, when I started to think about my
Afterimages dance, I would walk around in Schmeeckle and look around at the
earth. By finding the beauty in the world around me, it inspired me to create something
just as wonderful. This also inspired me to incorporate flower petals into my
dance. I think by adding the petals, it adds another level of wonder to the
dance and immediately connects the audience to the concept.
What are some choreographic strategies
you use during a typical rehearsal?
One idea I
played with was direction-and how using different facings with the same phrase
material effects the viewing experience. I found that by doing this, not only
did it make the choreography look more complicated, but it also helped to amplify
the space. Since stage design was for a thrust, I tried my best to have each
section of the dance have a different facing. This way the entire audience felt
connected to the movement, and it help add contrast each group of dancers when
they faced different directions.
What do you hope the audience gains from
viewing your work?
I hope the
audience can simply relax and enjoy the dance. I want people to feel a sense of
happiness after viewing my piece. I hope my dance leaves people with an
excitement for dance. I have really enjoyed working on this piece and I hope
that the audience members enjoy my dance as much as I do.
Maddy Blotz (Junior)
In my piece I am
exploring the concept of depression and when you realize you are in trouble and
need help. The second part of the concept is that depression comes in waves, or
at least it does for me, and that you can drown in your depression even if you
try to fight it. I wanted my cast to physically represent waves while
metaphorically representing ebb and flow of depression.
What experiences in your life inspire you
and how do you bring that inspiration into your creative process?
I am drawing
heavily from my own experiences with battling depression. It took me a long
time before I even recognized that I was depressed. I wanted the dance to
reflect that depression can sneak up on you and start to control you without
you or others realizing it. I am also a firm believer in fighting for yourself,
so I wanted the dance to explore how seeking help is a proactive choice.
What movement qualities are you working
with (style), and how does it support your ideas?
I am working
with rounded movement and curves. Most of my dancers are waves at different
points in the piece and waves are not sharp or straight. Waves especially have
a classic curve and rolling motion when they crash on the shoreline or further
out at sea, so I have choreographed a lot of curves in movement and formation.
How has this creative process helped you
grow as an individual and an artist?
This creative
process has helped me grow in confidence, as I know now that I can lead a group
of my peers successfully. It has also helped me grow stronger as a person since
the piece is so personal to me. Working on this piece, for me, has allowed me
to gain strength because I have had to open up and be honest about mental
health, which is a topic that some people may not be comfortable discussing. Being
an artist has helped me to learn how to work in a group setting and bounce
ideas off of my cast and work with them. Sometimes they ask questions about
something that I haven’t thought of and it gives me a new direction or
interpretation to go in or build off of that makes the piece that much stronger
or powerful.
What do you hope the audience gains from
viewing your work?
I hope the
audience gains a better understanding of when it is time to ask for help with
mental illness. For everyone it is different, and I hope that that came across in
the work. I want the audience to leave and have an open dialogue about mental
health and what it means to them and their lives.
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